WELCOME TO MUSEUM GEOGRAPHIES
This site features essays, blog posts, exhibition reviews and other commentaries examining the cultural geographies of museums, galleries, heritage and the arts, researched and written by Carol Ann Dixon, Ph.D.
LATEST POSTS
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Standing Still, by Eugene Palmer – The Poetics of Portraiture at Wolverhampton Art Gallery, UK
Eight new paintings by internationally acclaimed Jamaican-British figurative artist Eugene Palmer (b. 1955, Kingston) are presented in the exhibition ‘Standing Still’ (Wolverhampton Art Gallery, 18 February – 8 May 2023). The launch coincides with the artist’s sublime single-figure portrait of ‘Ann’ (2022) within this series going on public view for the first time in the…
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Lynette Yiadom-Boakye: Fly in League with the Night (Tate Britain, Nov. 2022 – Feb. 2023)
An illustrated review of the solo exhibition “Fly in League with the Night” (Tate Britain, Nov. 2022- Feb. 2023) – featuring an extensive selection of contemporary figurative paintings and poetry by the internationally acclaimed British artist Lynette Yiadom-Boakye (b. London, 1977). “At Ease As The Day Breaks Beside Its Erasure / And At Pains To…
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Decolonising Minds and Museums through Contemporary Art Activism
“Transforming Museums, Decolonizing Minds,” by Carol Ann Dixon, Ph.D. features in Volume 47 (Issue 4) of the Journal of Museum Education – published January 5, 2023. This paper on anti-racist and decolonial activism within art museums, experimental project spaces and collections of ethnography is one of ten in a special issue focused on Activist Pedagogies…
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Examining Switzerland’s Colonial Past at MEG: Musée d’Ethnographie de Genève, December 2022
Illustrated reviews of two exhibitions at MEG (Musée d’ethnographie de Genève), Switzerland’s largest world cultures museum, visited during December 2022: (1) “The Archives of Human Diversity” – a showcase of c.1000 cultural objects from MEG’s permanent collections; (2) “Helvécia: A Forgotten Colonial History” – a photojournalistic presentation of African-origin cultural traditions and heritage practices commemorated…
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Antelope, by Samson Kambalu – Fourth Plinth Public Art Commission, 2022-2024
Images taken at night of the 14th public art commission for Trafalgar Square’s Fourth Plinth illuminate the bronze sculpture “Antelope” by British-based artist Samson Kambalu (b. 1975, Malawi). This monumental, larger-than-life figurative work restages an iconic 1914 image of Malawian Baptist minister and anti-colonial activist John Chilembwe pictured alongside British missionary John Chorley. Their hats…
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Bikoka Art Project, Cameroon (Eyeonart.com)
The Bikoka Art Project, established in 2021 by curator and art historian Christine Eyene in partnership with community residents from Lolodorf, Cameroon, is a new art-led initiative “fostering artistic and professional opportunities for local youth and women, and supporting the next generation of creatives.”
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