A review of the Tate Britain symposium, “The Black Subject: Ancient to Modern”

On 20th and 21st February 2015 Tate Britain hosted a two-day event to explore a number of themes about representations of African and Asian people and their diasporic descendents within European art history. The symposium was scheduled to complement the display ‘Spaces of Black Modernism: London 1919–39’  – co-curated by Dr Caroline Bressey and Dr Gemma Romain (The Equiano Centre,... Continue Reading →

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