Tag: Yinka Shonibare
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Africa’s contemporary art change-makers – Who would feature at the top of your list?
A recent series of articles posted to the AADAT (African & Afro-Diasporan Art Talks) website features a selection of visual artists described as “14 Contemporary Artists Who Are Challenging the Definition of African Art.” The listing was compiled by art historian Martina Dodd and (at the time of writing this blog) features the following 8 out of 14 leading…
Carol Ann Dixon
AADAT, Abdoulaye Konaté, Barthélémy Toguo, El Anatsui, Francis Pume, Gender, Hassan Musa, Innovation, Joël Andrianomearisoa, Julie Mehretu, Kester, Lubaina Himid, Mary Sibande, Meschac Gaba, Nnenna Okore, Ouattara Watts, Ousmane Sow, Representation, Romuald Hazoume, Rotimi Fani-Kayode, Safaa Erruas, Samuel Fosso, Sokari Douglas Camp, Subjectivities, Victoria Udondian, Wangechi Muti, Yinka Shonibare -
Reflections on the legacies of ‘Statues Also Die’ (Présence Africaine, 1953) re. the museums sector in France today
Earlier this year an article by Tom Devriendt was posted to the online discussion forum ‘Africa is a Country’ to commemorate the life and work of French filmmaker Alain Resnais (1922-2014), who passed away on 1st March (Devriendt, 2014). The central focus of this piece was to celebrate the achievements of Resnais and his co-director Chris Marker…
Carol Ann Dixon
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Yinka Shonibare MBE’s ‘Jardin d’Amour’ [Garden of Love] (Musée du Quai Branly, Paris, 2007)
Yinka Shonibare’s Jardin d’amour [Garden of Love] (2007) was the second – and most high-profile thus far – of the single-artist installations staged during the Quai Branly museum’s early programming history[1]. The artwork consisted of a labyrinthine, reconstructed 18th century Rococo-styled ornamental French garden arranged as three secluded enclosures in which different thematic tableaux were…
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An interview with Professor Eddie Chambers – re. his new book, ‘Black Artists in British Art: A History from 1950 to the Present’ (IB Tauris, 2014)
On 2nd July I had the privilege of interviewing the artist, curator and art historian Professor Eddie Chambers while he was here in the UK to launch and promote his new book, Black Artists in British Art: A History from 1950 to the Present (IB Tauris, 2014). We met at the Ikon Gallery in Birmingham, where his installation piece…