THE BERLIN CONFERENCE: How art deals with the carving of a continent (Exhibition Review: December 2014)

The following article by art critic Elsa Guily (published online by Contemporary And (C&) magazine) reviews the exhibition ‘Wir sind alle Berliner: 1884-2014’ curated by Simon Njami (and displayed at SAVVY Contemporary, Berlin, 15 November 2014 – 11 January 2015).

Within this exhibition, the 12 featured artists –  Kader Attia, Theo Eshetu, Satch Hoyt, Cyrill Lachauer, Henrike Naumann, Katarina Zdjelar, Bili Bidjocka, Thabiso Sekgala, Sammy Baloji, Filipa César, Mansour Ciss, and Nadia Kaabi-Linke –  each present contemporary reflections on the historical, social-economic, geo-political and cultural impacts of the colonial ‘scramble for Africa’ Berlin Conference of 1884.

Laboratoire de Déberlinisation, installation by Mansour Ciss © Photo Chiara Cartuccia, 2014 (Source:
Laboratoire de Déberlinisation, installation by Mansour Ciss © Photo Chiara Cartuccia, 2014 (Source:

One of the images featured in the review piece (shown above) is a photograph of the installation ‘Laboratoire de Déberlinisation’ created by the Berlin-based Senegalese artist Mansour Ciss.This conceptual artwork was first developed by Ciss in 2001 and has been described by the artist as a project for encouraging trans-national ‘North-South’ and ‘Eurafrican’ dialogues about the politics of globalisation in the post-colonial era, and also as a symbolic representation of the intersectional space where “the idealism of art meets the realities of geopolitics and economics.”

Link to the full text of the exhibition review:

A video cast of ‘Laboratoire de Déberlinisation’ during its installation at Karlsruher Hauptbahnhof station in Berlin (2011) – also featuring role-play interventions, and interactions with the visiting public, performed by Mansour Ciss, Baruch Gottlieb and Christian Hanussek – is available online at the ZKM website:


Link to the video cast of ‘Laboratoire de Déberlinisation’:

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