Afriques Capitales: Vers le Cap de Bonne-Espérance / Capital Africas: Towards the Cape of Good Hope

During mid-August 2017 I was very pleased to visit the Gare Saint Sauveur in Lille to view curator Simon Njami's thought-provoking exhibition of photographs, paintings, films, sculptures and architectural installations by 30 contemporary visual artists from continental Africa and the African diasporas. This spectacular and wide-ranging group show – Afriques Capitales: Vers le Cap de Bonne-Espérance [Capital... Continue Reading →

Afriques Capitales/Capital Africas: A Barthesian multiplicity of cities presented at La Villette in Paris

The curatorial challenge Simon Njami set for himself when conceptualizing the exhibition "Afriques Capitales"["Capital Africas"] was to provide a discursive, dialogical space where contemporary visual artists from continental Africa and the wider global African diaspora(s) could come together to "invent the city of all cities: a city that belongs to no one but in which everyone can find... Continue Reading →

Contemporary Art Conversations: “In the Heart of the Lights,” by curator Simon Njami

Curator, writer and art critic Simon Njami will be giving a keynote lecture on 17th February 2015 to launch a series of events at the ICI Berlin Institute for Cultural Inquiry to accompany his current exhibition WIR SIND ALLE BERLINER: 1884-2014 – A Commemoration of the Berlin Congo Conference (on display at SAVVY Contemporary  in... Continue Reading →

THE BERLIN CONFERENCE: How art deals with the carving of a continent (Exhibition Review: December 2014)

The following article by art critic Elsa Guily (published online by Contemporary And (C&) magazine) reviews the exhibition ‘Wir sind alle Berliner: 1884-2014’ curated by Simon Njami (and displayed at SAVVY Contemporary, Berlin, 15 November 2014 – 11 January 2015). Within this exhibition, the 12 featured artists –  Kader Attia, Theo Eshetu, Satch Hoyt, Cyrill Lachauer, Henrike Naumann, Katarina Zdjelar, Bili... Continue Reading →

Reflections on the legacies of ‘Statues Also Die’ (Présence Africaine, 1953) re. the museums sector in France today

Earlier this year an article by Tom Devriendt was posted to the online discussion forum 'Africa is a Country' to commemorate the life and work of French filmmaker Alain Resnais (1922-2014), who passed away on 1st March  (Devriendt, 2014). The central focus of this piece was to celebrate the achievements of Resnais and his co-director Chris Marker... Continue Reading →

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